By Liah Greenfeld
In Modern Emotions and Perennial Drives: Love and Sex, I argued that the modern concept of love as an identity-affirming emotion, the way to one’s true self, and the supreme expression of the self, changed the cultural significance (that is, our attitude to) of sex, elevating it far above the base drive, legitimate only in marriage for the purpose of procreation and even then considered sinful within the framework of Christian morality which was dominant in our, Western, civilization throughout the last fifteen centuries of its pre-modern existence. Love became the greatest modern passion, it was presented from the outset–in Romeo and Juliet–as sexual love between a man and a woman, and the involvement of sex in it purified sex and added to it an important spiritual dimension. The essence of the modern ideal of love, and of love-relationship, however, has always remained its identity-affirming power, the fact that it offered the most direct route to finding oneself and, therefore, to meaning in life and happiness [see Modern Emotions: Happiness].